| Dear Julian,
I received Fireflies in the Shadow of the Sun more than a week ago and,
as you might imagine, once I started reading it, I chose to set other
submissions aside to finish it. Now that I have I must say Fireflies in
the Shadow of the Sun is truly a masterwork. I am staggered by both its
breadth, scope and depth. It is long, yes, my guess is 300,000 words,
or five times the average novel, but because it is so involving, I couldn't
seem to stop turning pages. Up to this point my longest submission was
750 pages and though good, it was a much slower read, no contest.
The scripted dialogue format is very effective. I don't recall seeing
it before, but it gives the book a near screenplay feel -- more than appropriate
for a novel that would make a great movie. It also eliminates extraneous
data and cuts to the chase -- I like that. The way you take your time
to build both tension and character through the first five hundred pages
reminds me of Stephen King's It. Though the plot line is at that point
fairly static, underlying every word is the subsonic rumbling of the volcano.
What keeps the reader's attention, keeps him reading, is that certainty,
that ominous portent of the explosion to come -- and the reader is not
disappointed.
The climax of the novel (or in this case the eruption) was my favorite
part. Okay, I admit it, I'm a sucker for action -- and what action it
was! My God, what a vivid imagination. This is the stuff of nightmare.
But I loved all the action scenes. You have a way with describing a fight
that brings it home to the reader. I'm not sure what it is, but I could
feel those head butts, those elbows to the abdomen...had my blood pressure
going through the roof. That is a scene I would like to see filmed with
Cameron Diaz as Fetters.
As for the denouement
I don't see how it could have ended with
more of a punch to the solar plexus. It is knowing how to end a story
that's hard, and that you have done to perfection. It is precisely that
sense of timing that marks a master.
That said, I can see where you might find it difficult to find a publisher
for Fireflies in the Shadow of the Sun among New York publishers. As most
editors are currently in analysis themselves, I doubt they would be open
to the idea that perhaps they worship at a corrupt altar. But then that's
the way it is in the publishing world today -- tread carefully, avoid
the mines of political correctness or wear the brand of pariah
This book the world needs. It blows the lid off the hypocrisy and corruption
in the psychoanalysis "market" and, if it is as true as it seems,
your novel is sorely needed. Fireflies in the Shadow of the Sun deserves
to be in the marketplace -- and in people's hands being read. It is my
hope that we can work together to put it there. As to just how to do that,
I would guess due to its literary qualities of the prose it would sell
especially well to the readers of The New York Review of Books and Harpers.
Were I to publish it, I would place prominent announcements in both.
I don't recall if this was a simultaneous submission, but if another
publisher snaps up Fireflies in the Shadow of the Sun before this reaches
you -- and if they know what they are doing they should -- it will be
my loss. In any case, I want to thank you for the privilege of reading
it. It was a book I will never forget. And by the way, you're right --
I won't ever trust a psychologist again.
David St. John
Executive Editor
Elderberry Press
Publishers of Politically Incorrect Fiction and Nonfiction
editor@elderberrypress.com
http://www.elderberrypress.com
|