Science and the Individual Dream:
A Grassroots Approach
Dream Research Vs. Dream Analysis: Some Preliminary Remarks
NOTE
Fireflies in the Shadow of the Sun available again at Barnes & Noble.com
This is my attempt to fuse the popular notion of dream analysis with the empirical notion of dream research. In this extemporaneous piece, I offer what I hope will qualify as a tutorial for persons interested in empirically researching their own individual dream. I felt this was lacking in psychology, which would only deal with x number of dreams from n number of subjects -- that is, where it purports to deal with dreams at all. But what of the individual dream and what it should mean to the individual dreamer? How can he/she empirically approach the dreams that mean the most to them -- their dreams?
MOYER: You mentioned there is a difference between dream research
and dream analysis.
EHRENFELS: When someone sits down to analyze a dream, the aim is
usually to find in the dream some wisdom with respect to how the dreamer
should achieve or alleviate what the dreamer has consciously identified
as an important aim or source of distress at this particular time. Toward
that end, the analyst -- usually the dreamer himself -- attempts to translate
or decode the dream, treating each image as a surrogate for some discrete
entity in his current waking life.
MOYER: And you sound like you dont approve.
EHRENFELS: I dont disapprove. I just like to distinguish
my kind of research from this more ego-centered and agenda-driven type
of interpretation. Analysis is a lot like tobacco research conducted by
tobacco companies. The research is funded and carried out to serve a purpose
other than or narrower than -- the whole truth and nothing but
the truth. The dream analysis distorts the dream by emphasizing only those
aspects with relevance for the waking goal. In effect, the dream is recast
translated into the language of the waking state.
MOYER: And your research?
EHRENFELS: Well, there are different types of research. I have
done and enjoy doing empirical dream research like the kind discussed
in the Experiography section. But that research is impersonal, which is
to say there is no attempt to delve into the details of ones own
or any one persons dream. In fact, in this kind of
research the dream is secondary to a hypothesis about dreams or to an
aspect of the dream highlighted by the hypothesis. The research I performed
for Experiography was science-centered, which is to say it is organized
by a hypothesis about the relationship between dreams and waking life. But what I want to discuss here is different because it starts
with no preconceptions, conditions, or filters. This research is the purest
possible expression of an open minded interest in the most fundamental
question: what is the dream? The research I want to discuss
here has been mistaken for dream analysis in that I delve deeply into
the details of one or more of my own dreams. Psychology professors make the mistake of measuring the scientific value of a project by its sample size, and those skeptics on steroids who do not like dreaming will jump at the opportunity to dismiss whatever dream research they can as a collection of case studies or self-indulgent musings. You have to judge the scientific merits of a project by its methodology (and that includes its 'attitude' and faithfulness to the facts), but never judge it by its sample size or even by how many numbers the researcher can work in his article or how sophisticated a statistical technique he can select. I find all this indiscriminate and often-arbitrary, gratuitous, superfluous, or precipitous rigor all so cosmetic. But what I do is not dream analysis. It is really a very different animal altogether because I am not looking for the first -- or even second or third -- opportunity to settle on some 'interpretation.' The assumption here is not that the dream exists for the sake of the waking state, though pragmatically I realize we all want to be able to use dreams to understand or better our waking states. My goal is to understand the broader functions of dreams in terms of its language -- and that means understanding that dream language on its own terms -- its own voice -- rather than jumping at the first bad translation.
MOYER: So then in your view there are three different types of
work that people can do with dreams.
EHRENFELS: Yes. And that is a tremendous source of confusion. People
understand me differently when I say I do dream research.
I always feel like I need to elaborate to disabuse them of their
misconceptions. Im sure this confusion played no small role in my
difficulties gaining admission to graduate schools not that any
kind of dream research is acceptable to any of these drones.
MOYER: So tell me a little more about your individual dream research.
EHRENFELS: "Well, it has always been my belief that what you experience when you are dreaming is comparable to surgery. You are experiencing changes to the cognitive structures at the foundation of waking awareness -- to the sources of that sense organ known as consciousness -- such that when you awaken in the morning, you are predisposed to perceive things in a slightly different way. A computer metaphor might help here. The dream is what you see on the monitor, the ouput of a programming script that is running in the background and that is re-calibrating or readjusting the very sense organ [consciousness] through which you know everything -- self and world. So it is really nothing miraculous to say that a dream can bare a remarkable resemblance to a future event or state of mind, because the dream is a concrete depiction of potential or evolving states of awareness -- consciousness as a work in progress. This is not to say that dreams predict future events. Far from it. Dreams present a glimpse of the sense organ itself, which to varying degrees across various dreams, may have a situation or object as its focus and, insofar as it does, you can discern some references to things in the dream that might be perceived down the road as having 'come true.' But bare in mind that the sense organ is itself responsible for taking that object as its focus and for giving it its meaning and properties. To take this one step further, the sense organ is under various conditions oriented by the same unconscious factors that responsible for architecting the dream."
MOYER: "Specifically, how does the dream make these changes?"
EHRENFELS: "I imagine there must be various ways to conceptualize this. The dream redistributes value or energy across the criteria for waking decisions and interpretations. It is important to remember that dreams are experiences, and that you are conditioned by these experiences in much the same way you are conditioned by waking experiences, only this conditioning is far more potent because it lacks the random and arbitrary elements of waking experience. Dreaming is the language of experience."
MOYER: "And how does this factor in to your analysis of dream material?"
EHRENFELS: "In a dream experience, you encounter the same cornucopia of sensations and events you encounter in waking life. There is color. There is movement. There is shape. There is substance. However, unlike in waking reality, in which there is a largely arbitrary or random component, in dream experiences there is a shared aspect that cuts across or threads all this material. A cross-categorical or transcendental pattern. For example, if you diagram your walk from point A to point B in a dream, you might realize that you have just diagrammed a shape that also happens to describe a key object in the dream. I think too many analysts prematurely look for associations between the dream and the waking state, when this stage could benefit considerably from first documenting all the associations the dream has within itself. The dream is replete with all kinds of what I call self-similarities that make up the dream's internal consistency or structure. There is an architecture. Conversely, the dream is also replete with oppositionality, or diametrically contrasting elements. It is useful to note as many of these self-similarities and oppositionalities as possible because they form a structure."
MOYER: "Is that structure interpretable?"
EHRENFELS: "I think so, but I don't like to approach the dream as if it a one-to-one encryption of images to hidden meanings. The dream is a transformative experience and not a purely intellectual statement. There is some change to you that is taking place when you dream and I suspect this change occurs whether you interpret the dream or not, whether you even recall the dream or not. In this sense, there is a hard determinism at work, but there are also ways to take control. Dream work and insight can give you some control over the effects and from this soft determinism standpoint, and I use this term because insight can soften the effect of the dream experience, the effects simply become pressures to which you choose to respond in various ways. Awareness changes everything. I think awareness can be expanded by dream work, and I also believe the awareness can be used to modify the effects of the dream and determine the content of future dreams, which naturally react to what you know -- to the contents of your awareness. It is a dialogue. Awareness coupled with an open-minded attitude toward the irrational and unknown, keeps the relationship between conscious and unconscious states fluid and flexible and most likely one of cooperation or coordination."
MOYER: "Where do nightmares fit into all this?"
EHRENFELS: "You're one step ahead of me, Kate. Ah, yes, we tend to have nightmares when the relationship between these two states grows antagonistic as a result of a rigid or prejudicial attitude. Such an attitude introduces a bias or constraint. The more biases and constraints accumulate, the less flexibility we have to adjust to demands or to mature as personalities. So the dreaming mind creates an experience that really turns the table on us, one in which we become the object against which dream characters, settings, and actions are prejudiced. It's the perfect revenge."
Skipping ahead in the transcript
EHRENFELS: "It actually deals with the content of the dream -- and
ALL the content of the dream. Understanding the dream and how it
works is paramount. You see the dream itself is created unconsciously,
which is to say, we do not willfully create it. So the dream is concerned
with the whole psyche, which includes not only the persons conscious
personality and conscious life, but his unconscious life as well. An objective
and scrupulous reflection of the dreams details reveals patterns
a rich tapestry which is entirely unconcerned with the dreamers
waking attitudes and priorities but which clearly address the dreamers
current condition. I believe that these patterns reveal the structure
and dynamics of the psyche, probably because the psyche as a whole, unlike
any language we know, is a language in which meaning and image
are one. The psyche speaks through its basic structure and psyche. It
does not have to translate or convert. And I do not suggest that the symbolic
language is anything like an image alphabet where a particular image always
means the same thing. Conscious reasoning and social communication demands
that a language have a sign and a referent and that a relatively static
or fixed relationship exist between these two them. The psyche does not
even have any static or fixed units. Not only could a tornado mean somewhat
different things from one dream to the next, but in one dream the tornado
may stand alone as a purveyor of meaning whereas in another a tornado
only has meaning in dynamic relation to certain other surrounding images.
But my major point here is that a dream deals in the outer circumstances
of the persons life, but also in the psyche itself which unfolds
according to various cycles and it is more often than not these cycles
that determine the meaning of external circumstances and that a life at
any point in time can be defined by the relationship between outer circumstances
and the status of the cycle. This is how a dream is able to anticipate
future events, and do so not literally, but as a symbolic blueprint. First
of all, it portrays the future (as any other time) as the future of the
inner state, and secondly, presents the whole state, and not one with
a particular outer event (of waking concern to the dreamer) at its center.
What also complicates interpretation is the fact that a dream is a snapshot
of the psyches current condition. If anything can be gleaned about
the psyches current state, it must be done in the context of the
psyches timeless principles as well as in the context of the past
and future of the psyche.
MOYER: What did you mean by meaning and image are one?
EHRENFELS: I meant that the dream is not the communications officer
for the psyche. You will stand a far better chance of understanding dreams
and the psyche if you know they are one and the same function. For this
reason, I do not like to treat the content of the dream as representations
of latent thoughts as Freud had done. Such an approach over-emphasizes
the importance of the discrete images in the dreams and by that I mean
the nouns persons, places, things. The dream also contains movements
and events there are also feelings, intentions, and intuitions.
Every detail is important down to the direction in which something
moves such as East or counterclockwise. When I employ my method
for establishing patterns in the dreams, it is important I minimize the
number of details that I omit.
MOYER: What about the relationship between the psyche and the conscious
personality?
EHRENFELS: Because the conscious personality is also not separate
from the psyche as a whole, I believe that the psyche communicates through
its effects. I do not believe dreams ask for our understanding or make
any other kind of requests. It does not reach out and say psst
and wait for our attention. A dream is also not like a classroom instructor.
By the time a dream speaks, we have already been fundamentally altered.
I think it may be more accurate to refer to effects than communications.
Some theorists choose to assume that dreams are portraits of our current
condition. Whether they mean that or not, I think that metaphor implies
that dreams simply hang on the wall inside our psyche as a painting or
as photographs in an album. Yes, they do display, but what
they show is the source of a transformation which occurred while we were
dreaming and a transformation that would not have taken place if
it were not for the dream itself. Some theorists treat dreams as a vessel
of images, like a blank sheet of paper with some code written on it. I
like Jungs metaphor better. In one of his works he corrected Freud
when Freud referred to dreams as the façade of a house. Jung added
that like any façade, the dream betrays an interior arrangement,
and one full of life. It is this arrangement I seek to uncover in each
dream. This is why I call myself a Jungian.
MOYER: So to you, dreams are experiences.
EHRENFELS: Yes, with a power to transform greater than most waking
experiences, because the source and object of the transformation
and by that I mean the transformer and the transformed are one-in-the-same.
There is more to the dream than just a potential to change, because unlike
waking experiences, dreams do not need to become relevant they
are created from all that is most relevant. So whatever effects or benefits
there might be from remembering the dream or from interpreting it, I believe
it is important to bare in mind the reasonable hypothesis that there are
effects probably the intended ones -- that coincide with the fact
of the dream. Granted, recall and interpretation are may be necessary
to unlock some potential changes in the dream and build what is contained
in its blueprint, but for the most part, I believe memory and interpretation
are useful in a different way. I believe they provide us with the chance
and a choice to counteract the effect of the dream
to keep the dreams effects within us from determining our decisions
and perceptions should we find such effects unwelcome. Of course, I make
it sound so much simpler than it is. The process is so time-consuming,
that if you do find a few hours in your day to spend on the dream, that
more often than not you have just enough time to glean the pattern and
whet your appetite. But then there are those dreams those Big Dreams
you feel compelled to make time for.
MOYER: Dreams have that much an effect.
EHRENFELS: Because the experience is unconscious, it affects us
in ways we are not aware, and these effects can assert themselves in our
lives in ways we cannot predict, control, or even see. When we consider
the sum of our decisions and actions and perceptions, we take them for
granted and attribute them all to consciousness, when in fact, most of
them are determined at an unconscious level, expressed in, but most likely
architected by, our dream experiences. The experience itself affects our
moods and values our sensitivities and thresholds -- our criteria
for decision-making re-asserting some redistributing others
probably in very subtle ways so that when we awaken we do not suspect
anything has changed in us.
MOYER: Sounds to me like surgery.
EHRENFELS: I couldnt have put it better myself, Kate. Like
surgery, every night our psyche goes under the knife. How radical the
surgery is -- and how necessary -- depends on the relationship between
the conscious and unconscious parts of the psyche and ultimately by how
healthy an attitude we have toward the unknown and the irrational in our
lives. The psyche is a system that continually redistributes its parts
to remain in harmony with itself and with new experiences. If its natural
flexibility is undermined by our conscious prejudices, there are system-wide
consequences. I liken this to an unbalanced diet high in cholesterol.
Under extreme or prolonged conditions of prejudice, major arteries can
close up, and we can suffer a heart attack. The very center of our psyche
-- the very structure or foundation of the psyche -- pick your metaphor
-- re-asserts itself like an appeals court judge on behalf of the Constitution
of the US when it is violated by a new law.
MOYER: And does the bizarre quality of dreams reflect this re-distribution?
EHRENFELS: I believe so. And if you read about bizarreness in my
dissertation which will also be posted on the site when it launches
in February you will see how in my sample of cancer patients those
who denied the effects of the cancer I called this a conservative
coping strategy reported the most bizarre dreams. But you
will also read that patients who employed a progressive coping strategy
who pledged sweeping reforms in their lives and in their characters
experienced dreams where the imagery was remarkably non-bizarre
but where the affect was intensely negative.
MOYER: Nightmares.
EHRENFELS: Yes. I believe a psychological heart attack
was had here as well. But the structure and dynamics of the psyche became
most evident in the third group of patients whose coping strategy seemed
relatively balanced. But I dont want to get too far away from the
point the metaphors I have used up to this point describe major
emotional and perceptual shifts in a person that directly oppose and sabotage
his waking attitude and agenda. The psyche can be so cunning this way;
it can even use the tools and materials of the conscious mind itself to
undermine the aims of the conscious mind so you make decisions
and initiate acts which appear to serve reasonable even ethical
purposes but which ultimately create effects opposite of those
intended.
MOYER: I suspect your science-minded co-workers would not appreciate
your use of metaphor.
EHRENFELS: I use so many metaphors because we lack a language in
psychology to describe these processes but before I blame this
on Psychology I should admit that I am not sure we should replace
the language of life with lifeless jargon. The psyche itself communicates
to us through the language of life, through symbols, and even through
events.
MOYER: Through events?
EHRENFELS: You know we tend to think of events in life as happening
TO us, as if we were selected arbitrarily. I am pretty sure we underestimate
our own role in setting ourselves up for these events. We are just unaware
of them because they are orchestrated at an unconscious level. So events
in our lives under the guise of objectivity and happenstance
are also part of the language through which our unconscious mind speaks
to us. Its all part of the psyche its all connected.
We break up the psyche six millions ways into matter and mind
subjective and objective conscious and unconscious self
and other rational and irrational concrete and abstract
-- but at some level it may very well help to think of it all as one substance.
You know when we reason, we make sense of things by breaking it
up into a million pieces and we always forget to put it back together
again or some of us think putting it back together again is tantamount
to moving backward. We continue to immerse ourselves in the divisions
until we find ourselves splitting atoms and seeking the meaning of life
in the indivisible unit of matter. One of the dreams I will use to illustrate
the structure and dynamics of the psyche will speak to this -- it will
re-affirm the importance to progress of regressing.
MOYER: Well, at least you dont have jargon to worry about
in dream research.
EHRENFELS: They destroy everything they touch everything
they love these psychological researchers. I suppose some good
has come out of the fact they dont love dreams. But you see
when I seek an explanation for something psychological I am not
satisfied unless I find a psychological explanation. I like to understand
something on its own terms in its own language. Researchers who
seek to understand dreams and life itself by cutting open the brain really
have no interest in anything other than the brain. Well, I have news for
them. The brain does not think. It secretes chemicals that we attempt
to correlate with thinking, and brain research has not proven useful at
all in the understanding and appreciation of mental life. Even Cognitive
Psychology falls short because its description of the dream -- and indeed
all mentation reads like a computer hardware manual. While a metaphorical
connection between the mind and a machine can help inspire and organize
research, we must temper it with the understanding that something vital
is missing from their account. Not even the bare bones of mental processing
look that dry and lifeless. Rather than force these accounts down our
throat with the scientific label, they need to ask themselves what it
is that would account for the difference between the machine-like model
and the human process and then address it. I have even read about one
model with compares human thinking to an analysis-of-variance, a statistical
procedure we use to analyze most of our data. Clearly, these researchers
have tipped their hand as to where their expertise and interest really
lies.
Structure of the Psyche
MOYER: So how do we do this?
EHRENFELS: I will lay out some principles first and then regale
you with some examples. I want to remind you that I am attempting to understand
the dream on its terms with as little reference as possible to external
associations. This is akin to asking your eye to look upon itself without
the aid of a reflective surface like a mirror. So if I had to feel blindly
over the dream to discern its shape I would have to feel for some
edges. I believe that such edges exist in the form of the dreams
internal consistencies and contrasts. Within itself, a dream bares both
remarkable sameness and opposition.
MOYER: Is this a process science-minded psychologists would frown
on?
EHRENFELS: I dont expect they would. It is a qualitative
process, and by that I mean I am not assigning any numbers and producing
the kind of raw data they can grind through their preferred statistical
analyses. However, that being said, it is a fact-finding process and one
not beholden to any specific theory so its grass roots atheoretical
and by that I mean unbiased -- description.
MOYER: That part theyd like.
EHRENFELS: Yes. What they would not like is that I have not laid
down explicit rules for adjudicating what is a similarity and what is
an opposition. The conventional course of action with qualitative data
in Psychology is to present these rules in some kind of training manual
with which I can train some confederates and by that I dont
mean Southerners to collect the data from the dreams. I would then
ask them to offer an independent identification of the similarities and
oppositions within the dreams I looked at and quantify the extent to which
our assessments agree. This is usually expressed as a percentage
the number of elements in the dream that we both listed as similarities
and that we both listed as oppositions divided by the total number of
elements listed between us. Incidentally, because a satisfactory standard
is debatable, psychological researchers tend to simplify the manuals and
hence their methods to the point where they can maximize their probability
of obtaining at least 90 percent agreement. But basically my method would
receive the support of the psychological community when and only when
I document an acceptable reliability coefficient.
MOYER: Seems simple enough. So why not do that?
EHRENFELS: Because I believe that it isnt necessary and that
it could be counterproductive. I dont see reliability likely here
certainly not a level impervious to criticism. There are too many
expressions of sameness and opposition in a dream, and even with the most
conscientious manual, I do not see how it is possible for two independent
minds to identify the same subset to a tune of 80 percent. Furthermore,
I want to keep my mind flexible; and if I so much as write up a manual
even just for myself -- I run the risk of constraining my thought
processes of settling into a routine in which I am biased toward
recognizing some types of sameness and opposition to the exclusion of
others. In other words, I dont want to undermine my research by
gilding a method prematurely not until I have a chance to learn
all I can learn about this method. Third even if no reliability
were possible and I come up with a different pattern from that of my independent
rater this will create a false impression of a flawed method, when
in fact the method is an open-ended one capable of documenting equally
valid patterns in the dream. After an independent rater shows me his list
of similarities and oppositions, I bet I am more than willing to incorporate
into my list those he had identified that I did not. This is a case where
the independent rater probably should not be used to deny the validity
of the research, but simply to improve it.
MOYER: So what would they tell you if you two did not produce a
satisfactory level of agreement?
EHRENFELS: Go back to the drawing board. Revise the manual until
you achieve sufficient agreement.
MOYER: And if you dont succeed?
EHRENFELS: Abandon the method. But they would not have any problem
with the method itself with the agreement. That being said I dont
think Id ever be able to publish an article that used this method.
I couldnt compete for publication because the method would lack
the level of statistical sophistication and psychometric panache of most
submissions. But they would have no philosophical objection to the method.
In fact, I like to point out that the method bares a metaphorical similarity
to a sophisticated statistical procedure known as factor analysis. That
procedure partitions variance into groups based on common differences
in data. I am looking for variance in an individual dream.
MOYER: And where do they look for variance. In a dream study, they
would look for variance between dreams and between participants. For a
procedure like factor analysis to be workable, you need not only quantitative
data but a hell of a lot of it so much that you dont have
the time to delve too deeply into any one source of data just long
enough to assign a number to it. This procedure is usually employed in
questionnaire studies in which we ask our participants themselves to circle
a number between one and seven for each of seventy questions. The approach
is fairly superficial and because it is standardized and by that
I mean the questions are the same for every participant you dont
really observe the uniqueness of the participant. Any uniqueness that
exists must be expressed in terms of a unique pattern of responses across
the seventy questions. Its a where do you fall on this continuum?
sort of process that is really not a study of the person or the phenomenon
but a study of the continuum itself. This research can be instructive
no doubt and it is appropriate for certain types of study like
public attitudes but Im afraid it is over-utilized because
it produces the kind of data that has the appearance of precision and
that increases the odds of publication. But in my view it lacks precision,
because I wouldnt really be getting my hands dirty if I used it.
When possible, I prefer to examine the phenomenon that interests me as
closely as possible without any filters or short cuts. To me, the numbers
conceal and occlude as much as they express.
MOYER: So lets turn back to the dream.
EHRENFELS: Why dont I illustrate the process with a sample
dream?
The Dream 010110 (January 10, 2001)
I was in a brilliantly-illuminated white stairwell just outside a corridor.
I was accompanied by a fictitious male -- a bearded man in his late 30s
or early 40s. I understood this man to be my leader, and I willingly deferred
to him. I sensed our mission at this time was to escape a one-nation planet
whose society could best be described as a police state. I peeked out
the door into the hallway to keep a watchful eye on the armed and uniformed
formation of citizens men AND women who marched in two columns
in a blind search for my leader, our people, and me.
I remember a few skirmishes in which I fired upon and killed some of
the residents of this place. I also remember a large conference
room in which the leader and I took refuge with some of our people. We
sat around an enormous square conference table I mean this table
must have been fifty feet in length -- in front of what appeared to be
a theater-size movie screen which functioned as a camera monitor. There
on the screen was the vast expanse of space. I remember all the stars.
This view instilled in me the sense that we were far from home. (I do
not recall whether we were now aboard a starship or whether we simply
observed space from here as part of a simulation or rehearsal. If I had
to guess, I would say this was some kind of dry run). At one point the
stars re-arranged themselves to form spaceships (i.e., much like the letters
that arranged themselves to form the title of my book on the splash page
of its web site -- Fireflies in the Shadow of the Sun).
Now we are all outdoors -- in the middle of this field under daylight.
It is sunny and clear. There is a sense that in this crucial last leg
of our dash for freedom, that we will have to confront our enemies. About
fifty feet ahead of us is a fifty-foot high brick wall, onto which our
leader managed to secure a steel ladder. We arranged ourselves into a
single line, with me in the front. Upon the leaders instructions,
I rushed the wall, running as quickly as possible to the ladder. I was
aware of a responsibility to climb quickly so as not to hold up the people
in line behind me. I moved quickly up the ladder until I neared the top,
where I could feel the ladder begin to sway and where I feared the ladder
might fall. I was able to stick my head just far enough over the wall
to see the only mechanism by which the ladder was fastened and
not securely to the wall. The top of the ladder itself curved over
the wall like two claws of a grapple hook. This part of the ladder was
painted a different color (I do not recall whether it was painted red
or black, only that it was the same color as the wall). I became fearful
of falling and so I was very conscious of where my hands were and very
selective and scrupulous with respect to where and how they needed to
be placed next. Before I moved one hand, I made sure the other grasp was
firm, and I realized I needed to reach for the wall itself and not for
a higher point on the ladder. But I was fooled by the fact the top of
the ladder was painted the same color as the wall. The ladder jolted backward,
but resettled into place. I was relieved it did not collapse. But I was
moving too slowly. I could hear my leader yell at me from below to pick
up the pace. He was desperate to know the problem, and he urged me to
move forward and finish my climb. I hated to disappoint him, but I was
paralyzed with self-consciousness and concern. I froze in my position
while I studied the wall for a point I can grasp. At that time, I peered
over the wall along the surface of this higher ground, where I saw the
leader sprinting straight for my position. I surmised that somehow this
man was able to save the day and attend to my rescue -- by finding
an alternate route up.
Now I am up on what appears to be higher ground bordered by a 2-3 foot
concrete wall. I looked up into the sky, where I found numerous helicopters
hovering at various altitudes above us. I am aware that our people are
still being picked off by sniper fire from the helicopters and
that only a handful of us have survived. At this moment, it is brought
to my attention that the leader himself is among the victims but that
my feelings about his death were complicated equivocated
by news of the discovery that the man was a double-agent. It occurred
to me then that while the man had helped us out of every precarious position,
that he may have been responsible for that position in the first place.
I sensed the opposition might have killed him when it learned of his treachery.
And I realized that I would never know for sure whether this man we called
our leader ever intended to see this mission through to the end. His role
as a double-agent would have created quite a moment of truth for him.
In addition to news of the leader, I also learned that my grandfather
had been killed.
Then I noticed a small snake coiled at my feet. I sensed that it was
not poised to strike, and I could have walked away, but I decided to reach
down and grab the snake by the head. But due to some misperception, I
picked the snake up at the wrong end, alerting it to my intentions. By
the time I grabbed the head of the snake, I was so uncertain in my grasp
and so surprised by its intent to struggle within it that
it managed to eke its head just far enough out to bite me on the back
of my hand beneath my right thumb and forefinger. The bite itself was
not painful, and I decided the snake was not poisonous. But the bite did
turn a large patch of my skin a pallid white, in the middle of which were
too ovular holes where its teeth had made penetration.
Now our leader-less group continued onward. Our next task was to descend
to a lower level, to what would resemble a concrete patio with a swimming
pool. Alik Mowais, who was the first to make that descent, took the plunge
too abruptly, dropping from the top without climbing a distance first.
He was debilitated when he hit the water he just floated silently
on the water -- his back broken. Now that he was unable to continue, I
considered him as good as dead. We all did. But he was the
last of us to die before we reached a small round spacecraft. I cannot
remember now exactly how many of us remained (5-6), nor can I recall the
identities of all those who did. My grandmother (deceased in waking reality
since 1997) and mother were with me as well as two strangers (1)
a bald man with a black handle-bar mustache who looked like a biker and
(2) and a beautiful blond woman with a light complexion.
As the spacecraft took off the dream shifted and now I
am in space. There is a sense I had just awakened from having slept on
the journey, and even though I knew we were in space, the environment
outside the craft was a clear blue noon sky. We were all seated in fairly
cramped seats. The feet of the woman behind me stretched ahead of me on
either side of me, and I reached out with both hands to grasp hold of
them. A few seconds later, she retracted her foot and it was brought to
my attention that she was involved with the bald man. Out of spite and
sadness, I announced my decision not to return to earth with the rest
of them. They were completely unresponsive. Completely indifferent. As
though I was never really there. At that point, the dream shifts.
Now I am on a planet. The terrain is rocky yet generally flat. It is
not quite a Mars look alike, as the sky is blue and the terrain a sand-khaki
color. (This is not a red planet, but more of a California
desert). A handful of humans inhabit this planet, but they are not from
earth and thus not really human. These humans
share the planet with a diverse population of humanoid inhabitants. There
are creatures that resemble robots (I do not say robots because
I am not sure they are machines and not a self-sustaining biological or
biomechanical race). I saw one (which resembled Iron Man a little, except
without the colors, or possibly the creature from the film Iron Giant)
operating a vehicle functionally equivalent to an automobile on earth.
These are single-passenger vehicles. A large round glass dome encloses
the head of the operator, whose body was entirely visible beneath it inside
some contraption in which the body remained vertical as the feet pedaled
the vehicle forward. (This is like a complex and sophisticated uni-cycle).
I watched this vehicle move slavishly in its place within a column of
traffic on a sandy dirt road. There were other races of creatures operating
similar vehicles. (I do not recall the details of all the races depicted
here; one may have been a bipedal reptilian). When I related my observation
to a human, I used the term division or class
to refer to race. The human stared at me in puzzlement for
a moment before it became apparent to me that no such distinctions existed
here on this planet. This human did not see the differences
that were so obvious to me. I was also aware that dinosaurs inhabited
the planet.
Now I am in this cabin-like structure where I intended to spend the night.
In the back of my mind was the anxiety that some dinosaur could come ripping
through here at any time. This was a fact of life here, and the residents
have grown accustomed to it. A beautiful blond woman also lived here,
and I was disappointed by the fact that as the only female human
inhabitant, she was already married to one of the other humans.
My pet Persian cat Kit -- also lived here. I left the room to look
for something (I do not recall what) and as I walked through this dark
wooden hall, it occurred to me that I did not belong on this planet. I
did not possess the skills needed to help these humans build a civilization.
I thought to myself that I was a big abstract
thinker, not an engineer like the others. I thought I should dispossess
them of any misconceptions they might have of me. Upon opening a door
to find to my horror -- a Kit look-alike dash out that one
of the residents had fooled around with cloning. At that moment, about
a dozen other cats that bore likeness to my pet scurried out from the
behind the door. I say bare likeness because there
was some feature a detail that yet affected the entire appearance
of the cat that made the cat look just a little different. In most
cases, this was simply that the hair was innately or constitutionally
disheveled. Still, I was horrified horrified that I might lose
the real Kit in a sea of look-alikes and horrified that these cats were
not really real. They were not of nature or if of nature
they were not of God. And if not of God or Nature, then what
were they? How could they exist in THIS universe? I did not feel part
of the same universe as them.
Now I am outdoors wandering the daytime landscape when I came across
one of the humans (who I suspected was the husband of the
beautiful woman and leader of humans). He had yellow hair
and a light complexion. I was amazed with what he had just designed and
supervised: here in the middle of barren land there was
a small stretch of earth a row of streetlamps overlooking a paved
road. I stared up into the face of the streetlamps into these sophisticated
technical products and asked him how he managed to manufacture
the light bulbs, i.e. from the raw materials of this planet. Suddenly,
over their shoulders, and on the horizon, there was the head and neck
of a Giant brontosaurus. I turned and ran as it approached. As we all
scattered, I realized that this was a hazard of life on this planet, that
these dinosaurs could at any point destroy part, if not all, of what is
built here. A few of us attempted to hide in this small one-room structure,
but our hiding spot was snuffed out by the dinosaur, which was now a small
yellow creature that resembled a gingerbread man. Even though its appearance
had changed, I never stopped thinking as if it were this enormous unassailable
dinosaur. In desperation, I grabbed hold of its legs and twist-tied them.
As we fled from the scene, we entered this much larger structure where
a large bearded human goaded me into wrestling him. He was
a professional wrestler, and in my reticence my apprehension --
I told him that while I had a lot of raw strength, I did not possess his
training his knowledge of the techniques. We circled for a moment,
and I managed to grab hold of his legs and turn him on his head. I pushed
the upside-down wrestler back-first against the wall, and he went limp,
not resisting, not countering with any force of his own. But then I realized
he did not evaluate the match the same way I did. As long as he was not
pinned and the match not over I was not winning. I was awakened
by my alarm as I decided to pin him.
I was so involved in the dream the dream so vivid such
another world -- that it was almost traumatic to awaken so quickly and
involuntarily. I continued to see dynamic images in front of my eyes
even seconds after I was awake. The image of an angry face that
of the child who plays Malcolm on the FOX network television
sit-com Malcolm in the Middle -- probably expresses an anger
that I had to leave this dream-world for the real one.
Groundwork for an Interpretation
If I weaved together all the observations I made across my dream diary,
I would arrive at conclusions much more sophisticated than the ones I
have offered thus far. And indeed now that I have been banished from the
field of Psychology, I have the time and authorization to proceed with
this project (for which the next few pages is simply a germ). I think
it is clear that there is a structure within these dreams. Whether this
structure is the structure of the dream language or whether
it is a symbol for the structure of the broader psyche remains very much
a question here. I realize that by brainstorming over some very rudimentary
observations and that by documenting these inchoate notions here, I am
exposing myself to every fashion of criticism and ridicule by the professionals
who, figuratively speaking, will not allow you to see them outside a tuxedo. However, I believe it is crucial for a researcher
to account for as much of his reasoning as possible. I believe that if
the reasoning of psychological researchers was laid out in plain view,
that the public would understand that its approach is no where near as
polished or finished or ironclad as people are led to believe that
the public would see the conventional scientific or statistical methodology
for what it is a philosophical position and not a sacrosanct Covenant
with nature itself. These brainstorms of mine are intended to encourage
thinking about and yes even empirical research into the
structure, dynamics, and development of the psyche and the role of oppositionality
and symbolism within that system. In this solid earth do I build the foundation
for my house. At present I have no house to show, but if only the academics
would let you into THEIR house would you see it has no foundation. And
some day soon, it will wash away or collapse under its own weight. Hopefully
when it does, it will not be replaced by another such artifice. Unlike
the academics I have nothing bold to claim, but then I have nothing to
hide either.
The dream can be divided into a number of self-repeating units. I think
you will find by the time I am done here that there is a parallel structure
among the different episodes in the dream.
The streetlamp and the dinosaur as they are portrayed in the dream
have a remarkably similar form. The dinosaur, visible over the
horizon from its neck up, forms a slender vertical shape that curves upward
into a budding protrusion at the head. Similarly, the streetlamp is a
slender vertical shape that curves into a budding protrusion where we
find the bulb. This similarity is a critical piece of evidence in our
case for the relationship between these two objects a relationship
to which we can add such other forms of evidence as interaction (i.e.,
the objects are not only in the same scene, but face one another) and
opposition (i.e., the objects face one another because of an opposite
orientation, and this opposition is underscored by the fact the dinosaur
aims to destroy the streetlamp). The opposition between the dinosaur and
streetlamp is underscored by a contrariety between the properties that
define them. The dinosaur is understood within the dream to be a prehistoric
being, while the streetlamp is received as a technology erected to advance
the civilization of this planet.
Conservative & Progressive Instincts
I start with this episode of the dream because it is clear to me immediately
that it bares relevance to the mission which is being advanced as I speak
by the publication of my book and its website. In an ongoing series of
interviews with publicist Katherine Moyer, I have criticized the abandonment
in the name of science and professionalism of the most conservative principle
in Psychology human nature. I have basically complained that Psychologists
would prefer to engineer the infrastructure of their own profession
and their own individual careers than capture the timeless essence
of the human condition. The opposition implied here is one between conservative
and progressive approaches, an implication that may have been facilitated
by the memory of a passage in Jungs Archetypes and the Collective
Unconscious about conservative and progressive instincts in the human
psyche. It may also have been facilitated by the memory of my own doctoral
dissertation, in which I classified cancer patients on the basis of vastly
different coping strategies that lent themselves to this distinction (see
Dreaming & Stress Coping in Cancer Patients). In the dream, I realized
that dinosaurs were likely to destroy only and exactly half of all the
new civilization, which may have been the dreams way of portraying
a natural balance between these two instincts.
Regression & Progression
Before I return to this dream, I find I must elaborate on the process
by what conservative and progressive instincts are balanced in the human
psyche. This explanation is provided again by Carl Jung and illustrated
in one of my cousin's dreams 980205 (i.e., dream for the fifth of February in the year 1998).
980205 (THE DREAM OF FEBRUARY 5, 1998)
In my cousin's dream, he observed from directly over the stadium a Yankees-Red Sox game. The Sox were batting in the bottom of the 9th, and with 2 out a batter by the name of Daniel Ishben (at least that's how I decided to spell it upon wakening) stepped to the plate with a full count and the bases full, vying to break a 2-2 tie. Ishben surprised the Yankees by hitting a nubber up the center of the infield, trickling beneath the pitcher's 2 legs and between the 2 confused infielders on either side of the 2nd base bag. Two runs scored, including the runner who had occupied 2nd base, bringing the game to an abrupt end.
I'd like to impress upon you the dream's unique mathematical properties. Around the time my cousin experienced this baseball dream, I was mindful of some other peculiarity in his impressive dream diary around the time of the dream: the use of a variety of former residences as dream settings. He dreamed of his childhood home. He dreamed of his current home. He even dreamed of the residence he occupied just prior to this one. Some hunch compelled me to examine whether the numbers associated with these addresses could be mapped on the baseball diamond, with its 1st, 2nd, and 3rd base and, yes, it's "home" plate, point of both ORIGIN and DESTINATION in the pastoral sport of baseball.
It occurred to me that his childhood home - featured prominently in these dreams - may correspond in some way to home plate in the baseball dream. The address of his childhood home -- 121. How could "121" fit the baseball diamond? Well, if you are a batter standing at home plate, 3rd base is 1 unit of distance away, second base is 2 units of distance away, and 1st base is 1 unit of distance away. "121" is an expression of the view of the infield from home plate.
I was inspired at this time to consider my cousin's residence at the time of the dream, which was 210. If I were viewing the infield from 3rd base, 2nd base is immediately to my left, followed by 1st base, and then home plate, to which we can assign a 0 because it is not a base and cannot be occupied, and yet comes before first base, i.e. before 1. 2 - 1 - 0. Little did my cousin know at the time he would be moving to a city where he'd actually put down roots nearly as deep as those he put down as a child. By symbolizing his current residence as 3rd base, this drream is communicating that he will soon begin the next meaningful chapter in his life, bringing him full circle from a HOME OF ORIGIN to the HOME OF HIS MAKING.
Now if I plot the numbers on the bases, "121" from Home Plate plots 1 on 3B, 2 on 2B, and 1 on 1B. "210" from 3B also plots the 2 on 2B, also plots the 1 on 1B, and plots a 0 on home plate (which makes sense since home plate is not really a base but a point of origin that precedes 1B). These two addresses then give us numerical assignments for all four bases.

Home plate = 0
1B = 1
2B = 2
3B = 1
And then I took up the address just prior to his current address, which is 2025. Just how does the four-digit address "2025" express the view of the infield from 2nd base?
If we read the bases from the vantage point of 2B (and this is the same whether we read clockwise or counterclockwise), we read 1-0-1-2. If we double this number, we end up with 2-0-2-4, just one digit shy of the "2025" address! We do not have to just double 1-0-1-2 willy nilly without an explanation. There may be meaning in the fact 2024 (an approximation of the "2025" address) is derived from a doubling of 1-0-1-2. Unlike the other bases, 2B stares directly into that special place on the diamond that cannot be occupied and that serves as both point of origin and destination. (I am also reminded of the statement from Jung that one cannot directly see or know the Unconscious source of oneself, but only infer it indirectly, much like one only sees oneself in a mirror or much like astronomers have to infer black holes from its pull on nearby stars). So what does one see when one looks home from 2B? The four digits suggests that the view of 2B is included among the diamond viewed. This suggests self-awareness. At this point, I am inspired to think of the diamond as a representation of the human psyche, the structure and dynamics of which preoccupied us intellectually in a late-evening discussion. Then it occurred to me. This conversation may have still been on his mind as he slept. Many theorists equate dreaming to a form of sleep thinking. The dream may have picked up where we left off in our pre-sleep reflections. In this dream may be the answer to some important questions, or at least a useful perspective.

Human development, at both the micro (day-to-day dynamics) and macro (individuation across life span) levels, can be conceptualized as movement along the basepaths. At the point of origin, all thoughts originate from outside our awareness. Home plate refers to the spontaneous origin of psychological products in the Unconscious. The batter symbolizes the hidden roots of all creative inspiration -- to the nascent ideas and personal qualities that are left at our doorstep and that we may choose to take in, raise, reify, and refine. The batter Daniel Ishben in the dream supports this interpretation, as "Ich bin" is German for "I am." If I trace back the evolution of all my thinking, I end up with a dimly perceived or spontaneous hunch, vision, or feeling. As we take control of the thought, subjecting it to our consciousness, it is refined to the point where we begin to think of it as our own product (1B, 2B). At some point, we may even identify with it, or if we're talking about our identity, we may become so foreclosed on our identity as to deny ourselves the freedom and flexibility necessary for further growth or adjustment. We are said at this point to be stuck on 2B, stranded on our own island to tend to our self-awareness. We may pride ourselves on our distance from our sources, developing a prejudice that causes us to frown on all things intuitive, spontaneous, undeveloped, or outside our control. (Actually, I have indicted the whole field of Psychology as being so stuck).
Now around the time my cousin experienced this baseball dream and indeed over his entire lifespan he's dreamt of tornadoes. A tornado is
this basic development structure this coil expressed in
the substance of wind. The winds inside a tornado move in the same direction
in which the runners round the bases that is, counterclockwise
and debris that ascends in the funnel can be said to repeatedly
visit all points but at a higher elevation. Even more coincidentally,
scientists believe that inside the funnel at its center
at its eye (or I) -- is a stillness a space in which
air travels calmly in a direct vertical path up into the atmosphere. This
fact has its counterpart in the baseball dream, when Ishben (I am)
hits a nubber (a slow roller) directly up the center of the diamond inside
a whirlwind of confused and crowded infielders. The connection
between these two motifs, the baseball diamond and the tornado
may have been alluded to in 990110 when he dreamed that a tornado
raked over rocks in a dark room, transforming coal instantaneously into
perfectly cut and polished diamonds. The tornado also halved a penny
a powerful image akin to splitting the atom. The penny is the indivisible
unit of value in our economic system and its halving may refer to Ishbens
grounder, which halved the baseball diamond into two triangles. The triangle
on the right containing the vertices HOME-1B-2B would form the symbolic
equivalent of progression, while the triangle on the left containing 2B-3B-HOME
would form the symbolic equivalent of regression. Both progression and
regression form an indivisible unit of value in the sense that one without
the other compromises development. I will revisit this issue later when
I take up the pitfalls of psychological development.
Back to the Dream
Dream 011001 alludes at multiple points to the coil motif incarnated
in previous dreams as a tornado and a baseball diamond. It is an important
motif. I will later demonstrate how it has manifested itself in so many
other dreams. The coil motif may be embedded at some level in the structure
of every dream. This would not surprise me because as the symbol of the
indivisible yet repeating unit of psychological development, when is it
not relevant?
The manifestation of the coil motif in 011001 that I noticed first is
the ironic circumstances of the planets civilization. As impressed
as I am in the dream with the efforts to develop the planet, I am disappointed
that the development should merely mirror those that had already taken
place on Earth. There is a sense here that history is being repeated and
that no genuine progress is taking place. It is as if we are running
forward into the back side of ourselves which also calls
the coil to mind. I use that phrase running forward into
the back side of ourselves because it is a recurrent variation
of the coil motif in my dream history.
The Water Coil
I was in California. The dream became quite vivid at this moment.
It was dusk, but there was enough light left so that I could tell the
sky was dark overcast. There was a storm in the area. I remember thinking
about the possibility of a tornado ravaging the land, but as I ran toward
the road, I was surprised to see a giant wave building. But the ocean
was behind me! A mans voice cried out tsunami! It was
quite scary to see this thing build in mass so quickly. Everyone walking
in the same direction as I had stopped in his or her tracks and reversed
direction toward the building -- behind which there was apparently an
ocean. As I ran, I knew there was no way I could escape from the tsunami.
I was afraid as hell of the thing, but I hoped I could just put enough
distance between the tsunami and me to soften its blow. I would not look
at it. Suddenly, as I ran I was lifted into the air. There was water beneath
my feet, but the water stopped rising, and only I rose, lifted by a current
in the air itself. This was an amazing feeling. It was the force of the
tsunami. Supposedly this is how it worked. The water opposite the tsunami
(somehow behind it but really in front of it [because the tsunami came
from land]) thinned as it raced back into the ocean, thus creating a tide
that pulled me. The air current that lifted me was a part of the watery
mass. It was all part of the same system. The air current was created
by the undertow of water. I knew that being lifted into the air was a
warning that the tsunami was about to swallow me up from behind. A shadow
crept over me. Was I being pulled in under the mass of the tsunami or
would I ride on top of it? Would I survive? I do not recall the culmination
of this escalating process, or if in fact there was one. Suddenly, the
tsunami was over and I survived it.
The tide in front of me recedes into the ocean. As I chase it, it thins
out at my feet. Here I believe a symbolic link is established between
this part of the water and the lowest point on my body. I say this
part of the water, because I believe the tsunami behind me and the
ocean in front of me are actually the same body of water. To understand
this, you would have to envision that the water actually circles the earth
such that the undertow in front of me is actually the back or tail end
of a water coil, the front and thickest part of which is the wall of water
nipping at my heels. This is an irony of sorts. My back faces the front
of the water coil while my front faces the its back. This is a symbol
of balance that I may address more extensively later. Never in this dream
did I actually gaze out over the ocean. I looked down the whole time at
the undertow. This fact in and of itself has meaning. I didnt see
the ocean not only because that vision would have been extraneous or irrelevant
data but because it would have contradicted the motif the dream
intended to advance the coil. I believe the dream intended for
me to conceptualize the water as having coil-like properties, which is
to say the water curves around the earth from its thinnest point just
beneath my feet to its tallest point arching over my back. This water
coil extends around the entire Earth, which itself figures prominently
into many of my dreams because I believe the coil motif symbolizes a developmental
unit that is not only ever-present but cyclic, and not only indivisible
but universal. It is a principle of the highest order the microcosm
and macrocosm that can be said to be both atom and universe at
once.
The evidence for the connection between the water in front of me and
the water behind me is provided by the wind itself, which is intrinsic
to the water. In the wind from the undertow do I ascend, and I ascend
to no less and no more than the height of the water behind. This wind
is a link between the water in front of me and the water behind me. But
the sensation was not one of vertical ascent. Yes, I ascended vertically,
but I felt it occurred within a spiral of wind. The shape of this wind
I think is suggestive of the coil-like shape of the entire body of water
considered as one body and it is also analogous to the tornado.
Perhaps it can be said to be the tornado itself, for in the beginning
of this dream I searched the skies in expectation of a tornado before
I was surprised to discover the tsunami. The ascent is the experience
in flat or two-dimensional space of the curved or three-dimensional reality
the experience by the part of the whole it cannot see -- the immediate
experience of a global force. I suppose one can say that the coil itself
patterns every level of psychological reality.
Back to the Dream
The entire history of the planet, from prehistoric dinosaurs to future
technologies, is being repeated in the present moment. This fact, coupled
with the fact the civilization of this planet appears to move forward
into the back of Earth history, poses an intriguing distinction between
evolution and conflict. Various concepts like -- enantiodromia, dialetics,
and the Abraxis principle -- point to a curious relationship between opposites.
Perfection means death, and when a thesis attains perfection, it becomes
its antithesis. History, or time, frequently documents a gradation of
events in which thesis gives way to antithesis as a matter of natural
or optimal development. However -- whenever opposites co-exist in the
immediate present we have opposition. And this is what describes
life on this planet. On this planet which I will later argue symbolizes
the abhorrent Science and Profession of Psychology the notion of
history and evolution the natural development of our literature
and perhaps even the maturation of our professionals -- is replaced
by an ever-present duality, manifestations of which vary from equivocation
and hypocrisy to conflict. The professional neglect by academics of developmental
principles in their subject matter and their broader distaste for history
may be a cause and/or effect of a personal inability to deal with opposites
such that they have become curiously susceptible and yet blind
to expressions of hypocritical and compensatory behaviors in themselves.
In many places on this site but largely in the criticism just beneath
the home page I elaborate on a range of these behaviors.
Current State of Personality Research
Take as an example the current state of affairs in Personality Psychology.
The personality researchers which is to say the university professors
who claim Personality as their specialization ignore virtually
everything they know about the psychodynamic theories which isnt
much. They believe these old theories are messy that their developmental
propositions and constructs do not readily lend themselves to psychological
testing and experimentation. First, to scientifically investigate these
principles, one would have to observe ones subjects over time, which
is impractical since the subjects in their experiments typically consist
of students who normally donate no more than the hour required for course
credit. Secondly, professors are required to publish once a year to remain
viable tenure candidates. This fact alone may account for why virtually
all psychological research is cross-sectional and not longitudinal, despite
the fact the vast majority of professors are already tenured. Thirdly,
the most sophisticated statistical techniques with which these
science-minded professors seem to have fallen in love are designed
for cross-sectional data. It is almost as if these statistical techniques
are required to provide the sophistication time and intellect themselves
would have provided in a longitudinal (i.e., worthwhile) test of a psychodynamic
(i.e., worthwhile) theory.
Furthermore, psychologists tend not to read or subscribe to grand theories,
like those that describe a personality or psyche. Valid and reliable research
demands focus, and it would take years and perhaps even lifetimes
for any one professor to test all the tenets in a grand theory.
One would have to derive from such a theory all the hypotheses (or predictions)
necessary for a full and accurate test of the theory, i.e. to say whether
this whole theory is supported. So psychologists focus on mini-theories,
theories intended to explain this or that behavior theories often
so small as to be synonymous with the hypotheses used to test them. Such
micro-research tends to produce a mass of findings that in
and of themselves cannot be explained or that hold little interest
or meaning for anyone. If the findings themselves could talk, they would
cry out in unison for some explanation that can tie them all together,
i.e. a grand theory. When I complain that there is no broad theoretical
research in personality psychology, I often hear what about the
Big 5? But the Big 5 is a desert mirage. There does not appear to
be and no one has even attempted to consider possible relationships
among these five statistically derived factors. Even if these factors
did somehow form the structure of a generic human psyche, there are no
provisions in this theory for dynamics and development. Believe it or
not the biggest factor is extraversion-introversion. That is as
far as my interest in this artifice goes that it lends some support
for Jungs psychodynamic theory. But the other factors
amount to a dull and useless laundry list. This is a static model that
belies the purpose of those who founded it: (1) to catalog people, i.e.
to plot them in five-dimensional space; and (2) to rally around a model
that was not only tested statistically, but actually built statistically
from the ground up. Professors treat this model as the only viable model
of personality because it was driven purely by data from the time they
plucked the 18,000 qualified trait terms from the dictionary to the time
they used factor analysis to group them into a small set of manageable
categories. But in my opinion, the Big 5 is a model by and for statistics
it is not about people.
From the very beginning, Big 5 research has meant the death of personality.
Everyone in the field of personality even remotely interested in a big
question has signed on to this particular effort but I should remind
you here that this is an effort to produce a personality taxonomy. Disenfranchised
by the proliferation of trait terms and scales in the 1960s
when every professor was said to have his own terms or his own definition
for common terms -- researchers undertook an effort to develop a manageable
taxonomy with enough statistical clout to inspire the field to rally around
it and adopt it as a common way of thinking and talking personality.
And that is exactly what was produced a consensus around a taxonomy.
But it is not a theory. Theory never entered into its development. Theories
in psychology are like parties and bills in politics. If we want bipartisanship,
we have to remove political affiliations. In psychological research, if
we want consensus, we have to remove theory. The dictionary told us where
to find the building blocks for our atheoretical taxonomy and the statistics
were used to arrange them. Somewhere in between some people filled out
some questionnaires rating themselves along bipolar dimensions that refer
to pairs of opposite traits, but this is the extent to which people get
involved in the creation of a taxonomy that will be used to explain them.
But in my opinion, it is a theory of dictionaries -- not psyches. And
proponents of this taxonomy need the Big 5 to organize their career more
than they need it to organize human nature. Those with no ideas need a
program of research to last them forty years. It is a way of passing time
until retirement. Now some proponents of the Big 5 tell me it is only
a beginning, but I dont think even they can answer the question:
the beginning of what? They have reached a state of statistical
perfection that can only be violated; it cannot be improved. They have
a taxonomy with no functionality a skeleton with no life. They
cannot possibly hope to put on this skeleton any flesh and blood
not even the semblance of life -- let alone vital internal organs. It
cannot be done without theory. And the introduction of theory would be
perceived as a contamination of a social consensus built on a foundation
of math it is to this consensus and to this mathematics that the
taxonomy owes its existence and its significance.
I fear that one day the Big 5 will mean for research in the psychology
of Personality what the current edition of the DSM (900-page Diagnostic
& Statistical Manual of Mental Disorders published by the American
Psychiatric Association) means for clinical research. Over the course
of the years professors have been made to feel by colleagues and administrative
officials that they need to seek external funding for their research.
In addition to means of augmenting ones meager salary, grants have
come to symbolize public and official approval for ones ideas and
the size of the award has become synonymous with the worth of their research.
In fact, professors have been made to feel that not having a grant is
tantamount to conducting research without a license or Ph.D. I would be
surprised if applications for external funds by professors is not on the
rise. Therefore, I worry when granting agencies reward compliance with
an industry standard, that is, when they require researchers to use DSM
categories as either the subject of their research as when we test
the validity of some aspect of the nomenclature or as the means
by which we conceptualize treatment and control groups. This practice
constrains intellectual and independent thought by forcing producers and
consumers of research alike to think in terms of what these task forces
and committees agreed to be typical symptom clusters (i.e., disorders).
It is an atheoretical taxonomy designed to help practitioners code for
third party reimbursement (i.e., insurance companies) and to provide a
common language for professionals. The DSM rests on a foundation of professional
dialogue and social consensus, but the DSM itself cites very limited research
evidence for the validity of these categories. Unfortunately, this manual
fulfills a prophecy of sorts. Because it is so enormous and deemed so
professionally valuable, many classes are devoted to it at the expense
of theory, such that students have no other terms in which to think of
human nature and they ARE required to master DSM criteria to succeed
in their practica and to pass doctoral qualifying examinations (not to
mention the licensing exam). I have witnessed the frustration of students
and professors alike when they discuss a distressed or maladjusted client
who does not meet criteria for a DSM disorder. There is sort of a how
dare you be other
? tone to many of these discussions. Sure,
they pay lip service to the fact human beings are complex cases and the
DSM classification scheme cannot account for all this individual variation.
But they do not seem to understand that at these DSM symptom-clusters
are better conceptualized as expressions of psychiatric disorders rather
than psychological problems. There is a world of psychological life
normal and dysfunctional between the cracks in the DSM such that
in my opinion the material found in the DSM is better represented
by the term crack. And yet by requiring so much of our time
and energy, the DSM reduces our preparedness to deal with the clients
who do not fit. In the meantime, the preponderance of clinical research
is oriented toward (or organized by) the DSM. Such research appeals to
insurance companies and granting agencies and also to the practitioners
themselves who preside on committees convened to award speaking engagements
and poster sessions at regional and national conferences. In brief, clinical
research has become a byproduct of social and institutional politics.
Researchers do not entertain any ideas they did not get from a focus group
(i.e., task force). But the validity and reliability of the DSM is beside
the point. Every field should provide for the freedom of its members to
exercise their intellect in accordance with their individual strengths
and callings, and it is advisable that the field finds a way to tap the
diversity and personal best of its members. If the field fails to respect
the human potential and diversity of its members, how can it credibly
respect that of its human clients or that of its human subjects? I believe
psychologists will do unto clients and do with subjects what they do unto
themselves and this belief does not bode well, for it means they
will hold human nature accountable to its professional fictions.
I fear that the Big 5, which was developed on the basis of some of the
same concerns that inspired the DSM, will corrupt personality research
in the same way.
Back to the Dream
This is why I dreamed of a planet where its few human inhabitants
four engineers replicate a civilization with no life. In
the dream it was apparent to me that we lacked the people to build and
use this technology. Who does the technology serve?
The way the scene unfolds, the order of the events, may have meaning.
The earth technology is re-created here from scratch. I say from
scratch because I was quite taken by the fact they were able to
re-create these exotic materials and functions directly from dirt. This
thought addresses a kind of revolutionary leap that bucks normal evolutionary
principles. It is almost tantamount to a violation of history. What occurs
immediately after this thought suggests that perhaps this is indeed a
violation and, as such, should be punished or at least in neutral
terms balanced: the leap forward incurs an equal (and opposite)
leap backward in the form of a Brontosaurus, which sticks its neck over
the horizon and then destroys the streetlamp. The leap to which the dream
is referring is probably the one by which psychological researchers attempt
to bypass the human nature of their subjects in the interests of drawing
quick scientific conclusions.
I even wonder whether there isnt another opposition intimated here:
one between the artificial light manufactured in the streetlamp,
and the Sun itself, the original and timeless source of light represented
in the larger and older Brontosaurus, which appears over the horizon and
places its head in the sky where the sun would be to cast the kind of
light that bathed the earth at the time. When I ran from the dinosaur
into a small clay house, it was as if I caused the dinosaur to shrink
in size and change shape, i.e. so that it exhibited a size and shape appropriate
for the setting that had been reduced in size from the vast expanse of
the outdoors to a small cottage-size structure. The dinosaur was now what
I call a small, yellow Gingerbread man. The descriptor Gingerbread
may underscore the size reduction, and the color and location of the creature,
which now sat in the only window, may refer to the sunlight. A Gingerbread
man also refers to something we can make or mold in the image of man.
It may refer to what we do to human nature with our science. In exchanging
the vast expanse of the outdoors for a small cottage, I turned the dinosaur
into a humanoid (removed the developmental implications and reduced a
rich and wonderful human nature into what can fit into a manageable but
unimpressive mini-theory). By mini-theory, I mean a form of
human nature small enough for us to consume or manipulate.
Also, by using the image of a dinosaur to refer to the Sun, the dream
may have intended to indicate how the streetlamp mimicked a much older
source of light. In the dream, the older and timeless source of light
sought to destroy half the new source. Its incarnation as a dinosaur
and the fact we have to live with dinosaurs suggests that the dream
wants to punish psychological researchers for short-circuiting the regressive
phase of development. The hollow scientism and inhumanity in their work
betokens an exclusive emphasis on values associated with the progressive
phase of development. The dinosaur suggests that if psychological researchers
do not return home, that home will return to them
with destructive consequences. And home is what we may very
well see in the childish attitudes and behavior of many of these professors.
The childishness is aided and abetted by the university environment
very possibly symbolized in the dream as the barren undeveloped surface
of this planet.
However, the cottage-size refuge may have another meaning. The house
was modest. It was bare and clearly built from clay so that its ties to
the earth are obvious, unlike the manufactured streetlamp,
which puzzled me with an exotic technology that seemed to exceed what
was needed. I wonder whether I was meant to infer from this contrast a
fundamental truth about professors. Perhaps in professors we see a group
of insipid and undeveloped personalities that attempt to find in a hyper-technical
reliance on scientific formalities the sophistication they otherwise lack
in their work. They are drawn to the level of development they lack in
themselves. Moreover, many professors do not know how to relate to others,
especially to the opposite sex. Thus it is also possible that their insistence
on consensus within their profession is an unconscious attempt to compensate
for an undeveloped, possibly even infantile, relational style. It is not
as obvious to them as it should be that consensus is the death and not
the birth of relationships. But then professors seem to lack the same
dynamics and differences that are missing from their theories
of human nature. Oddly enough professors rhapsodize diversity
diversity in race and diversity in learning styles. But, and this
is usually an indication of compensatory behavior, they cannot practice
what they preach. They cannot tolerate students and peers with diverse
politics and ideas. They invent departmental policies that put the force
of law behind THEIR view of diversity so that their peers and students
are required to behave in ways consistent with this particular view on
differences.
I would not be surprised to find an object relations theory that could
be used to explain the behavior of psychologists. Object relations theories
are theories in which adult interpersonal relationships and pathological
variations of them are explained in terms of early childhood development.
While I personally find the emphasis on early childhood to be a form of
historical reductionism, the object-relations theorists prove they are
capable of an interesting idea every now and then. (Most psychological
approaches are designed to exclude laypeople from Psychology by isolating
as the most important aspects of mental life causes that
cannot be accessed through normal introspection. The physiological psychologists
would have us believe we need access to animals and their brains; the
trait theorists would have us believe, only somewhat more so than the
rest of psychologists, that we need to be statisticians; and the Freudian
and object relations theorists would have us believe we need a time machine.
In a field to which all people belong by virtue of being human and being
capable of self-reflection, these power-starved professionals search for
resources THEY can control. So they invent units of scientific and professional
value like so much fake Monopoly money that they broker
and divvy as their egos and wallets see fit. In all fairness to these
[insert politically correct euphemism here], this stultifying behemoth
may have been motivated by a fear of an inability to meet intellectual
standards. It remains a question whether these academics and professionals
lack the intellectual skills, whether they are intellectually lazy, or
whether their values are inconsistent with the demands of the intellect,
which requires flexibility, independence, and patience. Most professors
prefer to work and think as a unit, which would explain their wistful
and cataclysmic policy-WONKING and their penchant for co-authoring publications
with three to five colleagues. The only fact of which I can be reasonably
certain is that at some point over the past forty years, the intellectual
cobwebs were cleaned out and replaced by smoke and mirrors.
But I digress. The point I started to make was that object relations
theorists have their fingers on the pulse of a pathology shared by most
members of their field including most of themselves. While I have
not read extensively into any one object-relations theory, I have taken
note of such constructs as separateness and individuation
as well as some observations as a person can exhibit separateness
without individuation. I wonder what childhood ingredients are specified
by a recipe for professors who exhibit communalism without relationships.
Case in Point: The Student-Teacher
Take for example the supervised teaching practica in which many professors
clone or experiment with -- their graduate students. The student-teachers
are told that they are supposed to cater to the diverse learning styles
of their students. They are required to supplement lecture with various
types of multimedia equipment (overheads, computer projection equipment,
VCRs). They are required to supplement lecture with various types of interaction
(discussion groups, demonstration experiments). Their syllabus is required
to equally distribute lecture time across all the branches of psychology.
They are expected to incorporate various item forms on their tests (multiple
choice, short answers, fill-in-the-blank). Once the student-teachers account
for all the requirements, they quickly realize that nothing is left to
discretion. All these departmental teaching policies all so that
the professor or student-professor respects the diversity of his or her
students. And yet no one thinks to ask: What about the diversity
of the student-teachers? Dont their teaching styles
reflect learning styles of their own? How are they expected
to learn to teach when they are not permitted to develop their own style?
Will classroom instruction be adversely affected when teachers are
required to play to their weaknesses rather than to their strengths?
And what will happen to the diverse experiences of the students
when differences in the style of their teachers are required to vary within
courses rather than be free to vary across courses? There are basic
freedoms being lost here. Professors who do not understand relationships
establish a consensus that constrains the relationships of those who do.
Insipid professors who do not understand differences legislate a form
of diversity that stifles individual freedom.
Back to the Dream
The dream is also telling me that Psychologists are doing work they think
is exotic with their science but end up mimicking surface features of
the generic human being. And not knowing that, they keep reinventing the
wheel. New forms of science provide new ways to re-create old forms, and
what we end up with are hundreds of new bottles containing old wine. Also
implicit in the invention of the streetlamp is the notion that these psychological
researchers are attempting to re-create the Sun from the Earth. But, as
the dream points out, no true path to human nature circumvents people.
I disable the figure which I continue to think of as a giant Brontosaurus
incidentally by twist-tying its legs together. Legs themselves
describe the relationship between the pairs of objects the dinosaur
and the streetlamp for example -- I have described thus far. Legs have
a similar shape but are oriented in an opposite direction at the point
at which they bud into a protrusion, i.e. at the feet. This twist-tying
motion and the resulting shape points to a relationship
in which the paired objects are intertwined. (This reminds me a great
deal of the double-helical structure of DNA, the source and material of
human life which when flattened in textbook diagrams, resemble ladders,
which are also featured in this dream. In fact, the ladder portrayed in
the dream has a curve at the end of it so it can grapple the wall. This
ladder may thus represent the basic structural elements of a relationship.
In any event, you can only get over the top by reaching the curve). You
have two slender vertical objects that curve at the top and that are joined
by a series of intermittent horizontal objects called rungs.
The paired objects depicted in this dream are the same, yet opposite and
as such are intrinsically tied as two aspects of the same
whole. For development to occur and where life, i.e. consciousness,
can exist there must be a balance between the two. The balance
itself results from respecting the full nature of their relationship,
i.e. not just its sameness -- not just its opposition.
After I escaped, I ran into some other kind of structure. It had a sliding
glass window proportionate in size to the square hole that served as a
window in the clay structure. The relationship between the clay structure
and this one is unclear. On the one hand, the increase in size and the
presence of the glass indicates a promotion to the next level of consciousness,
one that continues to respect the sunlight. But on the other hand, the
glass may imply a distance from the elements. The window in the second
structure, unlike the first, was lower on the wall and did not directly
face the Sun. One possible interpretation that respects both sets of facts
would be that the second house as a higher form of civilization
-- is intended to represent a higher level of development within person
and within the profession.
Here I confronted not a dinosaur, but a man who resembles a primitive.
Here in a slightly more advanced house, I confront a slightly more advanced
and more HUMAN evolutionary figure. I am somehow aware of the fact the
man is a professional wrestler, which calls to mind the move in which
I twist-tied the legs of the Gingerbread man. The professional wrestler
role is key here, as I realize now that I cast much the same aspersions
on Psychology that people cast on professional wrestling namely
that it is not the real deal despite the fact it refers to itself as professional.
No one pays much attention to the authentic wrestling simply called
wrestling while people tune in to the histrionic televised
wrestling that uses the label professional and the
association name WWF -- as product frills. I am anxious about
having to wrestle the man who calls himself a professional.
Presumably, I am now facing a man who embodies the skills I displayed
when I twist-tied the Gingerbread man. There is a sense that this man
does this for a living. There is a sense this is all he knew that
it was his function in life to wrestle that is all he did. The
techniq-al training and the professionalism remind me of the
streetlamp scientism. But unlike engineers, who molded dirt into streetlamps,
this man molds men (i.e., psychologist?). As such, there is an air about
him -- a pretentiousness a bellicosity. And when I ran into him,
I was required to wrestle him, which is to say he imposed his sole nature
and function on me.
So in this man we have an opposition between primitive and professional
elements. Even his face seems to conform to the theme. He has little if
any hair on his head, but he has a beard around his mouth. There are no
sideburns to bridge what little hair he has on his head with all the hair
he has around his mouth. This indicates that the man is a blow-hole, someone
with little brains but a lot to say or someone whose brain and mouth are
unconnected. The hair-down-below (but not up top) also indicates the so-called
bottom-up approach of the psychological researcher
the practice and prejudice by which facts are allowed to speak for themselves
(mouth) without the intervention or inspiration of theory (head). I even
told the wrestler that while he was trained in technique, I had only raw
strength. Despite my apprehension, it would soon become apparent that
his technique was no match for my inherent strength. This was a battle
between someone constituted from external data, i.e. learned techniques,
and someone constituted from internal proficiency or from internal values
grounded in the human subject matter. In the battle, I stand the man upside
down on his head. This action may represent a protest on my part. I do
not think professionals are upright. Id like to stand
them all on their heads overturn them
possibly so the blood flows to their head. Clearly the wrestler is overmatched,
but I am frustrated because I can never be declared the winner unless
I follow the ridiculous rules of wrestling, i.e. unless I pin his shoulders
to the floor. This is a clear reference to my frustration that despite
having the better qualities and the better arguments, I can never prevail
in a professional world. Despite all my strength, I did not possess the
strength needed to pin him because the rules of professional wrestling
have primed in the wrestler an expectation that I will attempt such a
move and; because he is expecting it, he will be trained and mentally
prepared to resist it. So here we will have a stalemate. The opposition
between technique owned wholly by him and inherent strength
owned wholly by me resulted in a set of circumstances that
could not be resolved, i.e. lack of development. An upside-down man is
opposite to my orientation, but what is required for development is a
balance, i.e. a horizontal man.
Ladders
The budding curvature at the top of the ladder creates an overall shape
that bares some resemblance to the dinosaur and the streetlamp. As previously
mentioned, the ladder could even be related to the legs of the Gingerbread
man. But the reference that most interests me is the one to the coil motif.
Here we see the opposition built into the ladder, which combines vertical
and horizontal elements, and which also consists of a curve that points
back in the same direction from which the ladder came. When I near the
top of the ladder and the next level (i.e. home?), I could fall backward
to the previous level by mistaking the hook on the ladder for the wall.
By mistaking the two, I could pull on the hook, dislodging it from the
wall. (The fact the hook and the wall are painted the same color suggests
this relationship. The hook belongs as much to the wall as to the ladder.
It is the point of contact between the two a piece of shared material.
And if I didnt understand that, I would fall backward). This reminds
me of the water-coil, where I could rise above the wall of water behind
me by stepping into the shallow undertow in front of me.
The hook is needed to keep the ladder secured to the wall so it can sustain
human weight. This suggests that even while a ladder can be said to ascend
and descend in the vertical plane, its grounding in the horizontal plane
is also vital. I am reminded of the importance of the horizontal plane
in the case of the wrestler. Clearly the message seems to be that a mastery
of the vertical plane is not sufficient. What that means phenomenologically
is still unclear.
The ladder reminds me of the baseball diamond in that it depicts a relationship
between old and new levels. The ladder is internally connected at the
rungs until we reach the hook, where the ladder connects externally to
the wall. Like the relationship between the streetlamp and the dinosaur-symbolized
Sun, the ladder with the horizontal rungs -- mimics the brick wall
with its horizontal rows of mortar. The opposition between the two rests
in the fact that one is built to accommodate and the other to repel.
At the bottom of the ladder, the climb is stable. I am able to move quickly,
because the movements of the climber do not affect the ladder. But the
properties of the ladder namely its stability changed as
I ascend it. The ladder grows unstable and susceptible to my movements
and my weight, for which reason it needs a hook at its topmost end, where
I imagine the slightest movement would unseat it. This probably explains
why I am not permitted to touch the hook. The hook is the extreme end
of the ladder where it is so susceptible to weight and movement that it
in effect ceases to remain a ladder. It is where the ladder reverses direction
pointing toward the bottom as if to counterbalance the addition
of the climber to the top.
In other words, the climber himself becomes a hindrance to the climb
as he ascends the ladder. It is analogous to gravity. It is as if the
ladder becomes lighter or the climber heavier, threatening to pull the
ladder to the ground. Here I will offer a number of possible interpretations
of this catch-22. But I should bear in mind that this aspect of the dream
remains one of the most elusive. First of all, while we are between levels,
it is important to remain connected to the wall at the top (hook) and
the earth at the bottom (ladder). This depicts a curve. At the inception
of the scene, the feet are the most critical limbs, as I rush the ladder
with time a crucial factor. When I reach the top of the ladder, the arms
are the most critical limbs: where and how I place them. At this point,
time becomes unimportant to me, and I slow to near stillness in my circumspection.
I also have to wonder whether the words I use presumably inadvertently
to describe the process are also interpretable. Circum-
means round or around which applies here to the top of the ladder
which is contrary to the directness with which I rushed the ladder
at its base. But these facts inspire no insights, so I am forced to table
them for now.
What if the climber symbolized Human Nature and the ladder the tool of
inquiry, i.e. Science? The conclusions drawn would be vastly different
from those drawn if the climber symbolized Human Nature and the ladder
the path of psychological development.
The conclusions would also be vastly different if my hunch is correct.
It occurs to me now that the ladder resembles the human form. It does
not look exactly like the human form and it is not a human
but it is built by humans to be used by humans, specifically by the human
limbs. Now if my intuition is correct, perhaps a day or a week prior to
this dream, I spoke in my interview about how the scientific methodology
reveals a great deal about human nature, but not in the way scientists
would appreciate. I do not remember exactly what these thoughts were on
the subject, but they probably had something to do with the fact I believed
the tools of psychological inquiry bore a metaphorical relationship to
their users. Oh yes now I remember I was referring to analysis
of variance and the fact that some researchers actually love their tools
so much as to use them as models of their subject matter. Here is the
excerpt from the interview:
EHRENFELS:
I suspect that on the spiritual side, scientists
feel in their hearts that if the universe is orderly which
is to say if it IS an order that it can only be uncovered
by the most orderly method. The scientists confound the method with the
theory so that they imbue subject matter they study with the properties
of the method they use to study it. I have heard one theory in which a
psychologist actually compared human thinking to the set of mathematical
procedures that make up the statistical technique known as analysis-of-variance.
Now I suppose if Science were God, I should perhaps allow for the Biblical
statement that man is created in Gods Image. I have
to allow for the fact the method itself is a portal into the human mind
but not in the way the scientists would like to think. But there
is something to be said for the fact method is a product of human thinking
and, as such, is subject to observation and analysis itself as an illustration
of the nature under study. But I reiterate that is not how scientists
choose to think of their methods and I certainly would want to
find better examples of human thought since the scientific method
as a highly directed and differentiated form of human thinking
does not embody its fullest aspects its capacity to draw
meaning from relationships, for example. Now such a method if but
a tool in the hands of scientists capable of broader intellectual reasoning
can be instrumental. It can be like a chisel or conversely putty
in the hands of a sculptor. But in the hands of psychologists today who
are disposed to treat their science not as a science of human nature but
as a science of method, the chisel seeks only to cut away just those chunks
of marble that conceal a larger monument to the chisel itself. As thinking,
the method is capable only of re-affirming itself and is not a suitable
tool from which to draw inferences about the broader human nature of which
it is a highly specialized aspect.
I believe the ladder scene may refer to this thought here. I believe
that the ladder refers to the tools of scientific inquiry and that while
appropriate in the study of rational or what I call lower
psychological functions that it is likely to distort the meaning
and function of more complex or higher human processes. This
is why the ladder is able to sustain the climber at lower levels, but
that at higher levels the climber becomes too heavy too much
for the ladder. Scientific thinking is rational thinking and
as such while it is successful when directly applied to certain
rational human functions, it tends to distort phenomena best understood
in nonlinear (or circum-) terms. The hook portion of the ladder
which is not painted the same color as the ladder and thus was
mistaken for the wall may symbolize the need to understand the
phenomenon on its own non-linear terms rather than attempting to squeeze
it into our rational buckets.
There is a level at which human nature becomes too complicated and too
irrational to be fully and accurately grasped by the conscious rational
mind. At this level we need to proceed very slowly so that we can monitor
our movements and estimate their effects on the portrayal of the object
of study. I am reminded here of the Heisenberg uncertainty principle,
which states that the nature of the observer can alter the nature of what
is observed at subatomic levels; specifically that certain natural oppositions
are embedded in nature for example position and direction -- such
that by measuring one you alter the other so that it becomes immeasurable.
In the case of Psychology, I believe that the conscious mind will never
be able to appreciate fully and accurately the nature of the unconscious.
However -- that being said by respecting the phenomenon under study
we can minimize the distortion to the point where some inferences
some progress can be made.
Dreams & Neurons (An Example of
Junk Science)
Excerpt from Prior Interview
EHRENFELS: The students certainly fall hook, line, and sinker.
Discovery.com reported a scientific study published in the journal NEURON
in which a researcher claimed to know not only that rats dream but also
claimed to know WHAT they dreamed that they were dreaming of mazes.
He even presumed to know at exactly what point the rat was located in
the maze in its dream on the basis of correlations between brain scans
during REM sleep and brain scans during the waking maze task. He then
leapt to the conclusion that the function of dreams is the production
of long-term memories. All the technology in the world the sophisticated
brain imaging devices the wires and electrodes cannot cover
the gaping holes in the logic. The Discovery.com report also references
a study in which this memory consolidation function of dreams was inferred
from the fact college students who played Tetris before sleep dreamed
of Tetris. Dream research as bland and simplistic as that reported by
Discovery.com is designed to close our mind to other possibilities. The
structure, dynamics, and purpose of processes that transpire in an unconscious
state are much more complex than those processes over which we consciously
preside. The word complex may not even do justice to the process
by which we unconsciously weave patterns of thought. (Pause) I view the
unconscious as one would a whole other culture. It has not only its own
language, but its own rituals and beliefs. To understand this world, we
must seek to understand its ways on its own terms not simply to
see our reflection in its mirror. The scientific experts in the Discovery.com
report drop their needles and by that I mean rat maze and Tetris
-- in the haystack and by that I mean dreams -- and then expect
to be patted on the back when they find them when they find references
to mazes in the dreams. Their fast food research never really tends to
the dreams themselves and you know why? Because they know they
cant dirty their hands if they want awards for clean scientific
research. To truly understand dreams, you have to work WITH DREAMS
not with brain waves as recorded by an EEG. And you cant
hope to understand dreams purely on the basis of their correlation with
the familiar waking world. This is just another form of reductionism that
warps dreams in translation. If the unconscious were truly a frontier
if it is truly another culture we would never know it from
this research whose claims are no more scrupulous than the claim that
aliens created Stonehenge. And the truth about dreams may be difficult
for some researchers to grasp. The truth may be that dreams are akin to
a translator, speaking in images we can understand, so that we can draw
inferences about a reality we can never fully understand. Even the purveyors
of this nickel-and-dime research -- funded probably by hundreds of thousands
in grant dollars -- may be moved to agree with this fact if I phrase it
in their brain-ese. Can the 3-or-so percent of our brain which
is active in conscious thinking really understand the 50-plus percent
of our brain which is active when we are dreaming? Trying to understand
dreams may be like trying to fit an elephant through the eye of a needle.
Call dreaming bizarre if you will, but do not call it random,
meaningless, or nonsense, because it is based
on a cerebral collaboration you cannot possibly replicate during a waking
state. I would rather spend the rest of my life producing unpublishable
works that do justice to dreams than to litter volumes of NEURON and web
pages of Discovery.com with work tantamount to graffiti. The truth is
we do some harm to dreams just by referring to them as thoughts.
As the possible foundation and source of conscious awareness, dreams may
be structural units of unconscious activity, and as such, their nature
transcends what we think of when we think of thought. We distort
the dream and bias the translation of its reality when we refer to it
in terms this narrow -- this simplistic this familiar. I even have
difficulty using the word complex to describe a pattern that
is qualitatively as well as quantitatively distinguishable from whatever
we entertain in our conscious mind. Researchers like the ones quoted in
Discovery.com when they claim that dreams consolidate memories
portray dreams as passive reactions to experiences that have come
and gone. More than a widow presiding over a casket, dreams may actually
prove to be the dynamic and vital source of psychological life. Has it
ever occurred to these lab technicians that dreams may be the foundation
of (future) conscious awareness anticipating even predisposing
waking perceptions, criteria, values, and decisions. I am puzzled
that such a hypothesis should strike some researchers as bizarre. Dreams
are